Monday, October 13, 2014

My First Show With Spindles

The NH Wool Arts Tour was a very successful event for me and my spindles. The crowd is a lot smaller than it was several years ago. There was competition in the area for outdoor events and the advertising was not very noticeable. This year there was a steady stream of visitors, but usually one or two at a time, not a crowd. My spindles and bowls were admired and purchased. The comments and observations by customers was very helpful in giving me ideas for fine tuning my presentation. The product doesn't need tweaking as much as making sure there is plenty of information and demonstration. People mistake the support spindles for drop spindles and make an assumption that they are difficult to use. I found that by continually demonstrating as I talked to people they caught on to how easy, comfortable and convenient it is to spin on a support spindle. I also think the rare breed roving could be narrowed down to only the oldest and rarest, a wide range is not necessary. Customers were pleased to be able to access something unexpected, unusual, and with a long fiber history.
I was quite impressed with the number of individuals who came through who own a few sheep. It is very encouraging to meet so many who love sheep and wool and are dedicated to keeping small flocks for fiber.
My new design for spinning bowls, perhaps dishes would be a more appropriate term, works very well. They sit very comfortably on the thigh above the knee, while the spinner is seated. I find this design even more relaxing than the bowls because you don't need to keep your legs together or at the same level. 


Wednesday, October 8, 2014

NH Wool Arts Tour

This upcoming weekend, October 11 and 12 is the NH Wool Arts Tour, I will be a vendor at The Fiber Studio in Henniker. My spindles, watercolor cards of sheep, and rare breed rovings will be for sale. I will also be demonstrating how to use the support spindles. 

A new design for the lap bowls will be coming out of the kiln tomorrow.  Hopefully, they will survive the kiln intact and the glazes will have some resemblance to what I had in mind when I made them. It is a shared kiln and strange and sometimes wonderful things happen in there, that are unexpected. Tomorrow all will be revealed. Pictures to follow.

Wednesday, October 1, 2014

Support spindles

These are two ceramic whorl support spindles and a lap spinning bowl I made recently. The clay used is a porcelaineous stoneware. I like it because it shows the glaze colors more clearly than a red stoneware. The spindle shafts are cherry. The one on the left is based on an artifact found in the remains of a Swiss lake dwelling, dated to 3000 BCE. This five thousand year old design spins beautifully, the five arms seem to be self balancing, much like a three legged stool. The blue and white spindle's surface design was made using a piece of lace pressed into the surface of the clay, then once it was bisqued, I used a dip pen and cobalt wash to pick out the pattern before glazing it with Nuka.

Summer on Skye

This is one of the Iron Age Brochs we surveyed. They are strategically situated, usually with a good view of the surrounding area. When it was first built it would have stood approximately 30 feet high.The stones were cut and fitted. This is a dry stone construction, double walled with horizontal stones set between the walls resembling a staircase. This structure has several names, a Complex Atlantic Roundhouse, a broch, or dun. Their exact purpose has been debated and opinions vary as to why and how they were built. It is, however, pretty much agreed upon that they were built by those higher in the social structure, because of the emmense effort and extravagant use of resources, both human and material, needed to construct one. This broch is on Waternish Penninsula, Isle of Skye, Scotland. It is called Dun Borrafiach.